Pesquisando por: "GIAMBATTISTA TIEPOLO" - Fotoarena - Agência de fotojornalismo

908_06_lr2015006 The banquet of Cleopatra

908_06_LR5002126 Venetian masquerade ball

908_06_LR5002124 Peasant woman

908_06_LR5002122 Eurybates and Talthybios lead Briseis to Agamemmon

908_06_LR5002118 Rinaldo abandoning Armida

908_06_LR5002112 Angelica Carving Medoro's Name on a Tree

alb4157053 Giambattista Tiepolo (Venice, 1696-Madrid, 1770). The Death of Sophonisba (ca. 1760). Oil on canvas. 48.3 x 38.2 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4157052 Giambattista Tiepolo (Venice, 1696-Madrid, 1770). The Death of Hyacinthus (ca. 1752 - 1753). Oil on canvas. 287 x 232 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb3899220 Saint Cecilia. Date/Period: From 1750 until 1760. Painting. Oil on canvas. Height: 977 mm (38.46 in); Width: 793 mm (31.22 in). Author: GIOVANNI BATTISTA TIEPOLO.

alb3899201 Los hebreos recogiendo el maná en el desierto (boceto). Date/Period: Ca. 1740 - ca.1740. Painting. Oil on canvas. Height: 92 mm (3.62 in); Width: 67 mm (2.63 in). Author: Giovanni Battista Tiepolo.

alb10600534 Die Beschneidung. Museum: Museo Civico, Bassano del Grappa. Author: GIOVANNI BATTISTA TIEPOLO.

alb10600186 Latinus bietet Aeneas seine Tochter Lavinia zur Ehe an. Museum: Statens Museum for Kunst, Kopenhagen. Author: GIOVANNI BATTISTA TIEPOLO.

alb8369463 The Banquet of Cleopatra. Museum: National Gallery, London. Author: GIOVANNI BATTISTA TIEPOLO.

alb3658421 A Female Allegorical Figure. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Oval, 32 x 24 7/8 in. (81.3 x 63.2 cm). Date: ca. 1740-50.This picture is from a series of four female allegorical figures. Two others are in the Rijksmuseum, Amsterdam. They probably served as overdoors, perhaps set into a stucco surround. Tiepolo is known to have painted a number of pictures of this type to complement his work in fresco. The allegorical figure has not been identified. Museum: Metropolitan Museum of Art, New York, USA.

alb3634986 The Apotheosis of the Spanish Monarchy. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Oval painted surface, 33 1/8 x 27 1/8 in. (84.1 x 68.9 cm). Date: 1760s.This oil sketch for the ceiling of the saleta adjacent to the throne room of the Palacio Real, Madrid, differs from an alternative version (37.165.3) in the prominence given to Jupiter and his eagle and to Apollo, god of the sun and patron of the arts. Elements of both compositions were used in the final fresco. Museum: Metropolitan Museum of Art, New York, USA.

alb3672687 The Chariot of Aurora. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 35 1/2 x 28 5/8 in. (90.2 x 72.7 cm). Date: 1760s.Aurora, in her chariot, is accompanied by the Hours and heralded by Apollo; Time is on the right. Also recognizable are Ceres, with a sheaf of wheat, and Bacchus, wearing a crown of vine leaves. The sketch may have been presented as a proposal by Tiepolo for the decoration of a ceiling in the Palacio Real in Madrid. Tiepolo was summoned to Spain in 1762 to decorate the throne room; a ceiling on this theme was painted in the queen's bedroom in 1763 by the artist's German rival, Anton Raphael Mengs. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo.

alb3623265 Grammar. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop; and Girolamo Mengozzi (called Colonna) (Italian, Venetian, 1688-ca. 1766). Dimensions: 146 x 57 7/8 in. (370.8 x 147 cm). Date: 1760.Like the other frescoes in this gallery, this allegorical figure of Grammar, identified by the inscription on the base of the feigned statue, is from the Palazzo Valle-Marchesini-Sala in Vicenza. The simulated architecture, foreshortened from a viewing point in the center of the room, was carried out by a specialist in this type of work, Girolamo Mengozzi Colonna, who collaborated with Tiepolo on a number of commissions. The frescoes were probably commissioned by Count Giorgio Marchesini, and their iconography may reflect his particular interest in Freemasonry. They were detached from the palace about 1900. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop. and Girolamo Mengozzi (called Colonna).

alb3626091 Metaphysics. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop; and Girolamo Mengozzi (called Colonna) (Italian, Venetian, 1688-ca. 1766). Dimensions: 146 x 57 7/8 in. (370.8 x 147 cm). Date: 1760.Like the other frescoes in this gallery, this allegorical figure of Metaphysics, identified by the inscription on the base of the feigned statue, is from the Palazzo Valle-Marchesini-Sala in Vicenza. The simulated architecture, foreshortened from a viewing point in the center of the room, was carried out by a specialist in this type of work, Girolamo Mengozzi Colonna, who collaborated with Tiepolo on a number of commissions. The frescoes were probably commissioned by Count Giorgio Marchesini, and their iconography may reflect his particular interest in Freemasonry. They were detached from the palace about 1900. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop. and Girolamo Mengozzi (called Colonna).

alb3620384 Saint Thecla Praying for the Plague-Stricken. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 32 x 17 5/8 in. (81.3 x 44.8 cm). Date: 1758-59.The present preliminary sketch is for one of Tiepolo's greatest religious works, the altarpiece in the apse of the cathedral at Este, near Padua. Commissioned in 1758 and installed on Christmas Day, 1759, the picture commemorates the plague of 1630 with the citizens of Este praying for the intercession of Saint Thecla. The first-century saint is shown among the victims; the town is depicted in the background. Museum: Metropolitan Museum of Art, New York, USA.

alb3653359 The Triumph of Marius. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Irregular painted surface, 220 x 128 5/8 in. (558.8 x 326.7 cm). Date: 1729.This painting is from a series of ten magnificent canvases painted to decorate the main room of Ca' Dolfin, Venice. The subject of this triumphal procession is identified by the Latin inscription at the top of the painting, from the Roman historian Lucius Anneus Florus: "The people of Rome behold Jugurtha laden with chains". The African king Jugurtha is shown before his captor, the Roman general Gaius Marius. The procession was held on January 1, 104 B.C. The crowds carry booty, including a bust of the mother goddess Cybele. The thirty-year-old Tiepolo included his self-portrait among the figures on the left. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo.

alb3615649 The Glorification of the Barbaro Family. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Irregular oval, 96 x 183 3/4 in. (243.8 x 466.7 cm). Date: ca. 1750.This remarkable canvas was painted to decorate the ceiling in one of the rooms of the Palazzo Barbaro, on the Grand Canal, in Venice. The Barbaro were among the most illustrious Venetian families and it is to them that the main figure of Valor accompanied by a lion alludes. Behind Valor is Fame blowing the trumpet and holding an olive branch, while behind the lion is Abundance with a cornucopia. At the lower left are Prudence, with a snake, and Nobility, holding a statuette of Minerva. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo.

alb3613790 Neptune and the Winds. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Round painted surface, 24 1/2 x 24 1/2 in. (62.2 x 62.2 cm).The sketch illustrates a celebrated passage from Virgil's Aeneid describing how Neptune calmed the winds to save Aeneas from shipwreck. Neptune, his arm raised, commands the winds to desist. Jupiter stands in front of the portico of a circular temple. In 1764-66 Tiepolo decorated a room in the Palacio Real, Madrid, with an apotheosis of Aeneas; the sketch may be related to this project. Museum: Metropolitan Museum of Art, New York, USA.

alb3649986 The Battle of Vercellae. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Irregular painted surface, 162 x 148 3/8 in. (411.5 x 376.9 cm). Date: 1725-29.This painting is from a series of ten magnificent canvases painted to decorate the main room of Ca' Dolfin, Venice. The battle has been tentatively identified as the great victory of Gaius Marius over the fierce Teutonic tribes in Lombardy in 101 B.C. The tribe of the Cimbri had crossed the Alps near Trent and invaded the Veneto, whose mild climate and delicacies reputedly sapped their strength. Their defeat saved Rome from conquest. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo.

alb3667110 A Female Allegorical Figure. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Oval, 32 x 25 3/8 in. (81.3 x 64.5 cm). Date: 1740-50.This picture was painted for the same series as another picture in the Museum, also displayed in this gallery; two others from the series are in the Rijksmuseum, Amsterdam. The pictures probably served as overdoors, perhaps set into a stucco surround. The allegorical figure has not been identified. Museum: Metropolitan Museum of Art, New York, USA.

alb3661690 Geometry. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop; and Girolamo Mengozzi (called Colonna) (Italian, Venetian, 1688-ca. 1766). Dimensions: 146 x 57 7/8 in. (370.8 x 147 cm). Date: 1760.Like the other frescoes in this gallery, this allegorical figure of Geometry, identified by the inscription on the base of the feigned statue, is from the Palazzo Valle-Marchesini-Sala in Vicenza. The simulated architecture, foreshortened from a viewing point in the center of the room, was carried out by a specialist in this type of work, Girolamo Mengozzi Colonna, who collaborated with Tiepolo on a number of commissions. The frescoes were probably commissioned by Count Giorgio Marchesini, and their iconography may reflect his particular interest in Freemasonry. They were detached from the palace about 1900. A change is visible in the left arm, which was originally upright, holding a pair of dividers. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop. and Girolamo Mengozzi (called Colonna).

alb3669064 Mars and Venus United by Love. Artist: Paolo Veronese (Paolo Caliari) (Italian, Verona 1528-1588 Venice). Dimensions: 81 x 63 3/8 in. (205.7 x 161 cm). Date: 1570s.In this visually opulent and sensual painting, Cupid binds Mars (the god of war) to Venus with a love knot. It celebrates the civilizing and nurturing effects of love, as milk flows from Venus's breast and Mars's warhorse is restrained. By 1621 the painting was owned by Emperor Rudolf II in Prague, along with other mythological works by the artist (two are in the Frick Collection, New York), but its original owner is unknown. A masterpiece of light and color, works such as this had an enduring impact on later artists including Velázquez and Giambattista Tiepolo. Museum: Metropolitan Museum of Art, New York, USA.

alb3667265 Virtue and Abundance. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop. Dimensions: Diameter 114 in. (289.6 cm). Date: 1760.Like the other frescoes in this room, this large roundel is from the Palazzo Valle-Marchesini-Sala in Vicenza. It simulates a sculptural relief and decorated the ceiling of a long gallery, whose lateral walls were embellished with the allegorical figures of the liberal arts. It depicts the two allegorical figures of Virtue, on the left, and Abundance, with the cornucopia, on the right. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop.

akg178244 Tiepolo, Giovanni Battista. 1696-1770. "Skizzen zu Apoll und Hyazinth", um 1752-Bister über Rötelvorzeichnung auf Hadernpapier, 32,4 × 22,2 cm. London, Victoria and Albert Museum. Museum: London, Victoria and Albert Museum.

akg178245 Tiepolo, Giovanni Battista. 1696-1770. "The Death of Hyacinth,". c. 1752. Bistre on red chalk sketch on rag paper, 36.9 × 29.2 cm. Würzburg, Martin von Wagner Museum. Museum: Würzburg, Martin von Wagner Museum.

akg319328 Tiepolo, Giovanni Battista 1696-1770. "The raising of the bronze snake", c. 1735. (Detail). Oil on canvas, 1.64 × 13.56m From the church SS.Cosma e Damiano on the Giudecca in Venice. Inv. no. 739. Venice, Galleria dell'Accademia. Museum: Venice, Galleria dell'Accademia.

akg231647 Tiepolo, Giovanni Battista. 1696-1770. "Memento mori: Age and Death", c. 1715. Oil on copper, 11.5 × 9cm. Venice, Galleria dell'Accademia. Museum: Venice, Galleria dell'Accademia.

akg231679 Tiepolo, Giovanni Battista. 1696-1770. "Intercession of St. Thekla during the plague", 1758. Section: Plague victim in the town of Este. (Plague epidemic in Veneto 1630). Oil on canvas, 675 × 390cm. Este, Cathedral.

alb3727826 Death Giving Audience. Dated: published 1785. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

alb3624773 Three magicians burning a snake, from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Plate: 9 x 7 1/16 in. (22.8 x 18 cm)Sheet: 13 1/2 x 9 1/4 in. (34.3 x 23.5 cm). Date: ca. 1743-50. Museum: Metropolitan Museum of Art, New York, USA.

akg049649 Tiepolo, Giovanni Battista. 1696-1770. "The banquet of Cleopatra", after 1750. Fresco. Illusionist ceiling painting by Gir. Mengozzi (figure standing in the middle of left group - self-portrait of th. artist). Venice, Palazzo Labia.

alb4103440 Young Man with Bow and large Quiver and his Companion with a Shield, formerly entitled Telemachus and Mentor. Dating: 1730 - 1750. Measurements: h 114 cm × w 74.8 cm × t 3.5 cm; d 6.0 cm. Museum: Rijksmuseum, Amsterdam. Author: Giovanni Battista Tiepolo.

alb2037628 Giovanni Battista Tiepolo / 'Throne Room: The Glory of Spain. Allegory of Castilia', 1762-1766, Fresco. Museum: PALACIO REAL, MADRID, SPAIN.

alb3331382 Christ and the Woman Taken in Adultery. Museum: Musee du Louvre, Paris. Author: GIOVANNI BATTISTA TIEPOLO.

alb9829119 Tiepolo, Giovanni Battista 1696-1770/ "The Adoration of the Kings", 1753. Oil on canvas, 425 × 210.5cm. Museum: ALTE PINAKOTHEK, MUNICH, GERMANY.

alb2069883 Giambattista Tiepolo / 'Angel with crown of lilies', 1767-1769, Italian School, Oil on canvas, 40 cm x 53 cm, P00583. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069555 Giambattista Tiepolo / 'Vision of Saint Paschal Baylon', 1767-1769, Italian School, Oil on canvas, 153 cm x 112 cm, P00364. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070585 Giambattista Tiepolo / 'Olymp', 1761-1764, Italian School, Oil on canvas, 87 cm x 61,5 cm, P00365. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2070147 Giambattista Tiepolo / 'Queen Zenobia before Emperor Aurelianus', ca. 1717, Italian School, Oil on canvas, 250 cm x 500 cm, P03243. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb4103843 Allegorical Figure of a Woman with a Shield or a Mirror (Prudence?). Allegorische vrouwenfiguur met een schild of spiegel (wellicht Voorzichtigheid). Dating: c. 1740 - 1750. Measurements: h 81 cm × w 65 cm. Museum: Rijksmuseum, Amsterdam. Author: Giovanni Battista Tiepolo.

alb4103842 Allegorical Figure of a Woman with a Club (Fortitude?). Allegorische vrouwenfiguur met een knots (wellicht Kracht). Dating: c. 1740 - 1750. Measurements: h 81 cm × w 65 cm. Museum: Rijksmuseum, Amsterdam. Author: Giovanni Battista Tiepolo.

alb4103839 Flight into Egypt. Dating: 1750 - 1810. Measurements: h 68 cm × w 101 cm; d 6 cm. Museum: Rijksmuseum, Amsterdam. Author: Giovanni Battista Tiepolo (follower of).

alb4104273 The Immaculate Conception (Joachim en Anna receiving the Virgin Mary from God the Father). The Immaculate Conception (God Sends the Virgin Mary to Joachim and Anne). The Virgin Mary presented to Sts Joachim and Anna by God the Father. Dating: c. 1757 - c. 1759. Measurements: h 49 cm × w 26 cm. Museum: Rijksmuseum, Amsterdam. Author: Giovanni Battista Tiepolo.

akg178236 Tiepolo, Giovanni Battista. 1696-1770. "The Holy Trinity appears to Saint Clemens", c. 1735. Sketch for the Nymphenburg Altar. Oil on canvas, 61.1 × 34.4cm. Prices Gate Collection, London, Courtauld Institute Galleries. Museum: London, Courtauld Institute Galleries.

akg232101 Tiepolo, Giovanni Battista 1696-1770. "Crucifixion". Early painting. Burano, S.Martino.

akg231476 Tiepolo, Giovanni Battista. 1696-1770. "The Journey to the Hill of Calvary". c. 1738/40. Detail: Christ collapses under the Cross. From the Passion Triptych. Oil on canvas, 450 × 517cm. Venice, S.Alvise.

akg231477 Tiepolo, Giovanni Battista. 1696-1770. "Flagellation of Christ", c. 1738/40. From the Passion Triptych. Oil on canvas, 450 × 194cm. Venice, S.Alvise.

akg231479 Tiepolo, Giovanni Battista. 1696-1770. "The Crowning with Thorns", c. 1738/40. FRom the Passion Triptych. Oil on canvas, 450 × 135cm. Venice, S.Alvise.

alb2042781 Saint Antony from Padua, 1767-1769, 225 cm x 176 cm. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: GIOVANNI BATTISTA TIEPOLO. ST. ANTHONY. CHILD JESUS.

alb3632860 Title page, from Varj Carpiccj. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Sheet: 6 7/16 x 8 5/8 in. (16.3 x 21.9 cm)Plate: 4 1/2 x 6 1/2 in. (11.5 x 16.5 cm). Date: 1785. Museum: Metropolitan Museum of Art, New York, USA.

alb3899180 The skeletons. Date/Period: 1747-49, published 1750-early 1770s. Print. Etching, drypoint, burnishing on paper. Height: 39.50 mm (1.55 in); Width: 54.50 mm (2.14 in). Author: Giovanni B. PIRANESI.

alb3899203 Rinaldo Enchanted by Armida. Date/Period: From 1742 until 1745. Painting. Oil on canvas. Height: 1,875 mm (73.81 in); Width: 2,168 mm (85.35 in). Author: Giovanni Battista Tiepolo.

alb3721140 Scene from Ancient History. Dated: c. 1750. Dimensions: overall (oval): 140.3 x 109.3 cm (55 1/4 x 43 1/16 in.) framed: 165.7 x 134.6 cm (65 1/4 x 53 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

alb4138312 A Woman with her Hands on a Vase, Soldier, and Slave, from Capricci. Giambattista Tiepolo; Italian, 1696-1770. Date: 1740-1750. Dimensions: 138 x 176 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb4143023 Frontispiece from Capricci. Giambattista Tiepolo; Italian, 1696-1770. Date: 1785. Dimensions: 114 x 165 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

ibxsuc09256751 The Crucifixion, Execution, of Jesus of Nazareth, Christ, Good Friday, Golgotha, c. 1750, Giambattista Tiepolo, Historical, digitally restored reproduction from a 19th century original

alb9643644 Rebecca at the Well. Museum: Musee du Louvre, Paris. Author: GIOVANNI BATTISTA TIEPOLO.

alb9533482 Woman Taken in Adultery. oil on canvas. Date: 18th century. Museum: Smithsonian American Art Museum.

alb2179412 Kidnapping of Venus by Kronos, detail of the Course of the Sun Chariot, fresco by Giambattista Tiepolo (1696-1770), Tapestry Gallery, Palazzo Clerici, Milan, Lombardy, Italy.

alb1985257 Coronation of Mary, by Giambattista Tiepolo (1696-1770), ceiling of the Church of the Pieta or St Mary of the Visitation, Venice. Italy, 18th century.

alb1985480 Venus Saying Farewell to Aeneas, by Giambattista Tiepolo (1696-1770), fresco. Room of the Aeneid, Villa Valmarana 'Ai Nani', Vicenza.

alb1991901 Wedding Allegory, by Giambattista Tiepolo (1696-1770), fresco. Detail. Ceiling of the Nuptial Allegory Room , Ca' Rezzonico (Rezzonico Palace), Venice.

alb1976108 Capriccio, by Giambattista Tiepolo (1696-1770), engraving. Location: Florence, Galleria Degli Uffizi (Uffizi Gallery) Gabinetto Disegni E Stampe Degli Uffizi (Drawings And Engravings).

alb1982116 Alexander the Great with Darius' family, detail from Glories of Scipio Africanus and Alexander the Great, 1743, by Giambattista Tiepolo (1696-1770), fresco. Hall of Honour, Cordellina Villa Lombardi, Montecchio Maggiore, Vicenza.

alb1983150 The sacrifice of Iphigenia, by Giambattista Tiepolo (1696-1770), fresco. Detail. Hall of Iphigenia, Villa Valmarana 'Ai Nani', Vicenza.

alb1985823 The Darius family, detail from Glories of Scipio Africanus and Alexander the Great, 1743, by Giambattista Tiepolo (1696-1770), fresco. Hall of Honour, Cordellina Villa Lombardi, Montecchio Maggiore, Vicenza.

alb1982399 Figures of peasant women, by Giambattista Tiepolo (1696-1770), fresco. The Countryside Room, Guest Quarters of Villa Valmarana ai Nani, Vicenza.

alb1982491 Frescoes in the gallery of the Archbishop's Palace in Udine, by Giambattista Tiepolo (1696-1770). Detail.

alb1519457 Italy - Veneto Region - Villa Valmarana ai Nani - Room of the Frenzy of Orlando. Giambattista Tiepolo (1696-1770), Angelica and medoro taking leave of the peasants, fresco.

alb1519244 Italy - Veneto Region - Villa Valmarana ai Nani - Room of the Frenzy of Orlando. Giambattista Tiepolo (1696-1770), Angelica Taking Care of Medoro, fresco.

alb1966450 Briseis led to Agamemnon, by Giambattista Tiepolo (1696-1770), fresco. The Iliad Room, Villa Valmarana 'Ai Nani', Vicenza.

alb1993678 The Magnanimity of Scipio, by Giambattista Tiepolo (1696-1770), fresco. Detail. Villa Lombardi Cordellina, Montecchio Maggiore, Vicenza.

alb1990343 Wedding Allegory, by Giambattista Tiepolo (1696-1770), fresco. Detail. Ceiling of the Nuptial Allegory Room , Ca' Rezzonico (Rezzonico Palace), Venice.

alb1977113 Landscape with Cupid, 1757, by Giambattista Tiepolo (1696-1770), fresco. Detail. Iliad Room, Villa Valmarana 'Ai Nani', Vicenza.

alb1978161 Rachel hiding the idols, by Giambattista Tiepolo (1696-1770), fresco. Detail. Archbishop's Palace in Udine.

alb1978246 Rachel hiding the idols, by Giambattista Tiepolo (1696-1770), fresco. Detail. Archbishop's Palace in Udine.

alb1972911 Lunette showing the Baptism of Christ, by Giambattista Tiepolo (1696-1770). Colleoni Chapel, Bergamo.

alb1974008 Virgin Appearing to St Catherine of Siena, Rosa of Lima and Agnes of Montepulciano, by Giambattista Tiepolo (1696-1770), fresco. Side altar in Gesuati Church (Santa Maria del Rosario), Venice.

alb2942744 The Banquet of Cleopatra, 1742-1743, by Giambattista Tiepolo (1696-1770), oil on canvas, 51x69 cm. Italy, 17th century. Location: Parigi, Musee Cognacq-Jay.

akg6035739 Giambattista Tiepolo, Venetian artist, 1696 - 1770. Young Lady in a Tricorn Hat. Oil on canvas, ca 1755/1760. Inv. No. 1952.5.77, Washington, National Gallery of Art.

alb2169299 The Virgin appearing to Saint John of Nepomuk, 1754, by Giambattista Tiepolo (1696-1770), oil on canvas, 346x145 cm, Church of San Polo, Venice, Veneto, Italy.

akg231532 Tiepolo, Giovanni Battista. 1696-1770. "Diana and Actaeon", early work, (Diana transforms the hunter Actaeon into a deer; - Ovid, Met. III, 138-253). Oil on canvas, 100 × 135cm. From a series of four mythological scenes. Inv. Nr. 754. Venice, Galleria dell'Accademia. Museum: Venice, Galleria dell'Accademia.

akg178203 Tiepolo, Giovanni Battista. 1696-1770. "The Bath of Diana", c. 1743/44. (In the background Actaeon, transformed into a stag by Diana; - Ovid, Met. III, 154 ff). Oil on canvas, 79 × 90cm. Zurich, Stiftung Sammlung E.G.Bührle. Museum: Zürich, Stiftung Sammlung E. G. Bührle.

akg334909 Tiepolo, Cecilia, nee Guardi, sister of the painter Guardi, fr. 1719 wife of the painter Giambattista T., mother of the painters Antonio, Francesco & Niccolò T. born 1702. Portrait. Pastel, 1757, by Lorenzo Tiepolo. (1736-1776). On paper, 67 × 54cm. Museo del Settecento Veneziano, Venice, Ca'Rezzonico. Museum: Venice, Ca'Rezzonico.

alb4138565 Two Magicians and a Child, from Scherzi. Giambattista Tiepolo; Italian, 1696-1770. Date: 1735-1740. Dimensions: 140 x 187 mm (image/plate); 249 x 280 mm (sheet). Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb4138070 The Discovery of the Tomb of Punchinello, from Scherzi. Giambattista Tiepolo; Italian, 1696-1770. Date: 1735-1740. Dimensions: 229 x 180 mm (plate); 230 x 181 mm (sheet). Etching printed in black on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb4142553 Rinaldo Leaving Armida. Lorenzo Tiepolo (Italian, 1736-1776); after Giambattista Tiepolo (Italian, 1696-1770). Date: 1751-1753. Dimensions: 222 x 282 mm (plate); 240 x 305 mm (sheet). Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb4142810 Fabius Maximus Before the Carthaginensis Senate. Jean Honoré Fragonard (French, 1732-1806); after Giovanni Battista Tiepolo (Italian, 1696-1770). Date: 1763-1764. Dimensions: 152 × 100 mm (image); 158 × 102 mm (sheet); cut within platemark. Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: JEAN-HONORE FRAGONARD.

akg231472 Tiepolo, Giovanni Battista. 1696-1770. "St. Catherine of Siena", c. 1746. (Catherine of Siena, saint and Doctor of Church; Siena c. 1357 - Rome 29.4.1380). Oil on canvas (oval), 70 × 52cm. Vienna, Kunsthistorisches Museum. Museum: Wien, Kunsthistorisches Museum.

alb3630443 Adoration of the Magi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 16 15/16 x 11 3/8 in. (43.1 x 28.9 cm). Date: ca. 1753 (?). Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo.

alb3738662 Philosopher Seated, with Globe, Book, and Compass. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

alb3746261 Standing Philosopher and Two Other Figures. Dated: c. 1741. Dimensions: plate: 13.3 x 17.2 cm (5 1/4 x 6 3/4 in.) sheet (trimmed close to plate mark): 13.6 x 17.5 cm (5 3/8 x 6 7/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

alb3661649 Figures of Dwarfs and Dogs. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice); After Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: sheet: 8 1/8 x 11 7/8 in. (20.6 x 30.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

alb9512230 Fame in a Cloud of Putti, 18th century, Domenico Tiepolo, Italian (Venice), Italian (Venice), 17271804, 8 1/16 x 11 1/16 in. (20.48 x 28.1 cm) (sheet)19 3/4 x 23 3/4 in. (50.17 x 60.33 cm) (outer frame), Pen and black ink with gray-brown wash on laid paper, Italy, 18th century, Domenico Tiepolo was the son and collaborator of Giambattista Tiepolo. He brought a nervous energy to his drawings, which he often produced in long, thematic series. This is one of many drawings that he made of angels and putti. Over the course of the series, whose full extent has never been counted, he showed the weightless, winged figures in free-floating poses. They appear to have been made simply for his own enjoyment, an outlet for his energy and imagination.

alb9511105 Saint Roch, c. 173035, Giambattista Tiepolo (Giovanni Battista Tiepolo), Italian, (Venice), 16961770, 17 1/4 x 12 7/8 in. (43.82 x 32.7 cm) (canvas)25 1/4 x 12 x 4 in. (64.14 x 30.48 x 10.16 cm) (outer frame), Oil on canvas, Italy, 18th century, Saint Roch, born of noble French parents in the late 1200s, was the patron saint of the plague-stricken. Before he was twenty years of age, he disposed of his riches and henceforth devoted himself to nursing the sick. Saint Roch is frequently depicted with cockleshell, wallet, and staff in the habit of a pilgrim. Saint Roch sacrificed his own health in the service of others: he lifts his robe to reveal a plague spot on his thigh. Stricken with the plague, he retreated to the wilderness, where he survived on bread brought by his faithful dog.

alb9492646 The Head of Truth, c. 1744, Giambattista Tiepolo (Giovanni Battista Tiepolo), Italian, (Venice), 16961770, 11 3/4 x 9 5/8 in. (29.85 x 24.45 cm) (sheet, irregular), Black and white chalk on blue laid paper, Italy, 18th century, This is a study for the head of Truth in the large painting Time Discovering Truth on the ceiling of the Palazzo Barbarigo in Venice painted in 1744-45. Giambattista Tiepolo was, along with Caneletto and Francesco Guardi, one of the leading Venetian painters of the era, and among them he was the only one to paint works of enormous scale. He was a versatile draftsman, able in various media. He often used black and white chalk on blue paper to work out the details of his compositions.